![]() This article explores the wide-reaching power of the duchess and the conversations she had with the priests she supported with her energy and her wealth. Juana Ramrez de Asbaje, mujer del siglo XVII novohispano, ha sido conocida por su nombre religioso como Sor Juana Ins de la Cruz, nombre que se relaciona tambin con otros famosos eptetos que llev en vida la monja jernima: Dcima Musa mexicana, Fnix de Amrica y Fnix de Mxico. Later, when relations between Spain and Portugal improved, the duchess petitioned the king to allow her elder son, Joaquín, the title to the duchy of Arcos while her second son, Gabriel, was to inherit the duchy of Aveiro. When the duchess left Spain, Carlos II decreed that the houses of Aveiro and Arcos must forever remain separate, but on March 1, 1681, the Spanish king created the title of Duchess of “Aveyro” in an effort to encourage the duchess to return. She decided to leave Spain and her husband to accept her birthright. Despite an attempt by the Spanish crown (administered de facto by Carlos II’s mother, the regent Mariana of Austria) to keep her in Spain, she separated from the duke and returned to Portugal in 1673 to administer the house of Aveiro. Fue en la corte virreinal donde sor Juana vivi los aos de su adolescencia protegida por la marquesa de Mancera y fue de hecho esa misma cor- te la que le. Su vida fue sinónimo de rebeldía y genialidad. La escritora mexicana Mónica Lavín habla de su exitosa novela ‘Yo, la peor’, donde narra la intensa vida de la poeta y religiosa de la época colonial, Sor Juana Inés de la Cruz. quedaron como imperfectas todas las criaturas L2 cantifo de Sor Juana Ines de la Cruz. ![]() However, Dom Pedro would only allow the duchess to assume her inheritance if she resided in Portugal. Sor Juana Inés de la Cruz es sin duda una de las más grandes exponentes de las letras mexicanas. Pues fi Maria Santifsima fue prefervada defta original ponoa. After mounting a legal petition, she was granted the right to her family title by the Portuguese king, Pedro II. ![]() Married to Manuel Ponce de León, Duke of Arcos, she was living in Spain when her uncle, the Duke of Aveiro, died without an heir. In contrast to the social expectations identified by Kelly-Gadol, the duchess also exercised choices in her role as a wife. Sor Juana dedicated the 1689 edition of her poetry collection Inundación castálida to the Countess of Paredes, and one of the poems in the collection, “Romance XXXVII,” to the Duchess of Aveiro. Sor Juana Inés de la Cruz, una feminista en el convento Combatió la desigualdad con educación y se atrevió a compararse con la sociedad masculina de la época desde su celda. The duchess was the cousin of Sor Juana’s friend and patron, María Luisa Manrique de Lara Gonzaga y Luján, Countess of Paredes. The agency exercised by the Iberian noblewoman, María Guadalupe de Lencastre, the Duchess of Aveiro y Arcos, serves as an example that specifically contradicts Joan Kelly-Gadol’s assertion that European noblewomen did not experience a “Renaissance” because they were dependent on both their husbands and their rulers.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |